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Panasonic GH6 Leica 12-60mm Kit
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Panasonic GH6 Leica 12-60mm Kit

$381.00 Original price was: $381.00.$99.99Current price is: $99.99.

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SKU: ZGLNA 144587 Categories: Cameras, Mirrorless Cameras Tag: Panasonic
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The Panasonic GH6 Leica 12-60mm Kit is the latest flagship model in the renowned LUMIX G Series digital mirrorless camera range to push the limits of what is possible
from a Micro Four Thirds system camera.

As a first-choice tool thanks to its performance, mobility and rugged design. The GH6 sports a newly developed
25.2-megapixel Live MOS Sensor. In addition to high resolution imaging and high-speed
signal readout, the sensor’s single exposure HDR technology is a significant leap forward in dynamic range performance.

The next-generation Venus Engine powers not only advanced image processing and computational photography, it unlocks a
new world of video codec options and framerates to enhance workflow and versatility for professional or aspiring
videographers. The GH6 offers V-Log/V-Gamut and provides an amazing 13+ stops of wide dynamic range.

The Panasonic GH6 Camera comes paired with the Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens in this GH6 kit from Panasonic. This lens is a 24-120mm equivalent zoom designed for Micro Four Thirds
cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two
extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and
distortions.

Panasonic GH6 Camera

The Panasonic GH6 Camera streamlines workflow for creators, the GH6 now includes Apple ProRes 422 HQ, 5.7K 30p internal video recording. This
saves time in the editing stage of production by avoiding the time-consuming step of transcoding media from common
compressed codecs into ProRes or proxy formats.

The GH6 delivers outstanding C4K
120p in 10-bit 4:2:0, all without a crop or the image quality compromises that are often encountered in the hybrid
camera segment. LUMIX users have always enjoyed reliably long recording times, and the GH6 is no exception with
unlimited recording assisted by Panasonic’s latest heat management technology, including in intensive recording modes
such as C4K 60p 10-bit 4:2:2.

GH6 achieves 7.5 stops of powerful image stabilisation in both wide and telephoto focal lengths. Dual I.S.2 gives
users the freedom to choose between using tripods, gimbals or totally handheld, all while delivering smooth and
professional images. The GH6 has adopted a new super high-precision 5-axis gyro sensor with a new algorithm to achieve
7.5 stops of Body I.S. and Dual I.S.2

Key Features of the Panasonic GH6 Camera

  • 25.2-megapixel Live MOS Sensor with single exposure HDR technology
  • Next-generation Venus Engine
  • V-Log/V-Gamut 13+ stops of wide dynamic range
  • Apple ProRes 422 HQ, 5.7K 30p internal video recording
  • C4K 60p 10-bit 4:2:2 unlimited video recording
  • Outstanding C4K 120p in 10-bit 4:2:0, without a crop
  • VFR (Variable Frame Rate) available up to 300fps in Full HD 10-bit for
    dynamic slow motion
  • Improved AF algorithm, subject detection performance has been dramatically enhanced to achieve higher precision AF
  • Unlimited recording limit assisted by Panasonic’s latest heat management technolog
  • New super high-precision 5-axis gyro sensor
  • Dual I.S.2 | 5 stops of powerful image stabilisation
  • 100-megapixel High Resolution mode
  • New AF Focus Limiter which enables users to set a near and far range that the camera’s
    autofocus will stay within
  • Dual Card Slots | 1x CFexpress card (Type B) & 1x SD Memory Card UHS II V90
  • Versatile free-angle touch-control 3.0-inch LCD rear monitor (3:2
    aspect, 1840K-dot resolution)
  • Large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with a high
    magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent)
  • Supports full-sensor 5.8K 30p 10-bit recording when
    utilising dedicated anamorphic lenses or filters
  • 24-bit 96kHz Audio Recording
  • By using the optional XLR Microphone
    Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, users can capture four channels of audio

Sensor and processor technologies

Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) with a high resolution,
high-speed signal readout that reduces rolling shutter and achieves wide dynamic range.

The GH6 provides 13+ stops of wide dynamic range with pre-installed V-Log and HLG recording using the Dynamic Range
Boost mode. This mode uses two analog circuits, a high gain and a low gain, with each simultaneously capturing a
different exposure, and saturation/noise level. The two images are combined at a pixel level to create a high dynamic
range image with both low noise and high saturation, resulting in clear and smooth HDR video with rich gradation.

The new Venus Engine delivers approximately twice the processing power of the previous generation. It has evolved with
key technologies – Intelligent Detail Processing, 2D Noise Reduction, High Precision 3D Noise Reduction for video, and
High Precision 3D Colour Control. Together they provide less noise, higher detail and realism and enhanced colour
reproduction for rich, faithful colour expression.

Utilising the powerful image stabilisation system, 100-megapixel high resolution images can be captured in camera using
the High Resolution mode both with a tripod or handheld. Eight consecutive images are automatically shot while shifting
the sensor using the Body I.S. The result is a 100-megapixel (11552 x 8672-pixel) stunning image that faithfully
reproduces precise details and can be saved in both RAW and JPEG. To provide users with the greatest shooting
flexibility, multiple modes are available to shoot a variety of scenes, including those with motion.

Agile and smart operation for professional use

Taking advantage of the new sensor and image processing engine, the auto focus performance of the LUMIX GH6 has been
improved. With higher speed signal processing by the new image processor and an improved AF algorithm, subject detection
performance has been dramatically enhanced to achieve higher precision AF. A new inclusion is AF Focus Limiter which
enables users to set a near and far range that the camera’s
autofocus will stay within, providing consistent results for challenging scenes.

The LUMIX GH6 provides practical options for manual focusing such as MF Assist, which enables the focus point to be
enlarged while video recording. The linear focus control enables repeatable focus pulls to be achieved by adjusting the
degrees required for the lens to move through the focus range from close to infinity focus.

Enhancing shooting ergonomics, the LUMIX GH6 has a versatile free-angle touch-control 3.0-inch LCD rear monitor (3:2
aspect, 1840K-dot resolution). Conveniently, tilt/rotation angle can be adjusted so that HDMI and USB cables are not in
the way when shooting. A large, 3,680K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) features a high
magnification ratio of approx. 1.52x / 0.76x (35mm camera equivalent).

Professional-quality video performance for unlimited expression

The GH6 achieves an impressive C4K 60p 10-bit 4:2:2 unlimited video recording. In addition, high frame rate video
recording has been enhanced to include 4K 120p 10-bit 4:2:0, and FHD 240p 10-bit 4:2:2 (with audio recording) to enable
impressive expression such as speed ramping. VFR (Variable Frame Rate) is available up to 300fps in Full HD 10-bit for
dynamic slow motion.

For creators desiring wide screen anamorphic content, the GH6 supports full-sensor 5.8K 30p 10-bit recording when
utilising dedicated anamorphic lenses or filters. It is possible to display de-squeezed footage to monitor in real time.

The LUMIX GH6 also achieves 4:2:2 10-bit C4K 60p both internally and externally over HDMI simultaneously. The inclusion
of HDMI 2.1 will support C4K 120p HDMI video output with a future firmware update. C4K 120p 12-bit RAW output to the
Atomos Ninja V+ monitor recorder will also be available via a planned firmware update.

Panasonic has also included video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame
Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps. Some of the new enhanced features include
Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area; while Centre Marker now allows you to choose
the type of marker. In Colour Temperature Setting, the kelvin values can now be displayed on the user interface while
recording.

High resolution audio recording is now possible supporting up to 24-bit 96kHz. By using the optional XLR Microphone
Adaptor DMW-XLR1 and the 3.5mm input jack/built-in microphone, users can capture four channels of audio, reducing the
need for external audio recording devices. Combinations of external microphones can be used to best fit the recording
situation – such as outdoor interviews where voices and ambient sound both need to be captured. The headphone channel
can be switched during video recording and audio menus can be directly accessed with the Fn1 button on top of the camera
for easy sound level checks during 4-channel audio recording.

4K 60p Time Lapse video can also be produced inside the camera. With the Exposure Levelling function, the exposure is
automatically adjusted to prevent large changes in brightness between adjacent frames, allowing daytime to nighttime
‘holy grail’ time lapses to be created in camera. The internal time lapse calculator allows users to understand the
required settings without the use of external apps/intervalometers.

Reliable quality and performance for professional use and connectivity

The GH6 boasts a rugged field-ready design. As well as having a magnesium alloy full diecast front/rear frame, it is
splash and dust-resistant and also freeze-resistant down to -10 degrees Celsius. Recording buttons are located on
both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle
or with a shoulder rig.

The GH6 is equipped with double card slots. The CFexpress card (Type B) supports internal recording of high bitrate
video up to 1900Mbps including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal
recording of video at 600Mbps or less, with modes including Relay Recording, Backup Recording and Allocation Recording,
using both SD Memory Card and CFexpress Card.

The camera has a full size HDMI Type A terminal. Plus, a cable lock holder for the HDMI/USB cable is bundled to prevent
issues such as accidentally unplugging on location. The GH6 supports USB 3.2 Gen 2 for high-speed transfer. The 2200mAh
(DMW-BLK22E) high-capacity battery can be conveniently recharged either via AC or USB PD. The GH6 is also compatible
with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable. This
streamlines non-linear editing of footage shot with multiple cameras.

The GH6 supports Bluetooth 5.0 and Wi-Fi 5GHz (IEEE802.11ac)/ 2.4GHz (IEEE802.11b/g/n), for easy content sharing with
smartphones. With an always-on Bluetooth connection, a smartphone can act as the camera’s remote control via the LUMIX
Sync mobile app. The settings of a GH6 camera can also be copied and transmitted to other GH6 cameras when shooting
using multiple cameras (either via LUMIX Sync or SD Card). Hassle free firmware updates are also available via LUMIX
Sync.

Panasonic Leica DG Vario-Elmarit 12-60mm f2.8-4 ASPH. POWER O.I.S. Lens

Spanning a useful wide-angle to short telephoto range, the Panasonic Leica DG
Vario-Elmarit 12-60mm f/2.8-4 ASPH
 is a 24-120mm equivalent zoom designed for Micro Four Thirds
cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two
extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of colour fringing and
distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the
POWER Optical Image Stabilization system helps to minimize the appearance of camera shake for sharper handheld
shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use
in trying environmental conditions.

Key Features of the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens

  • Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length
    range.
  • Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical
    aberrations and various distortions in order to produce a high degree of clarity, sharpness, and colour
    accuracy.
  • Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit
    both stills and video applications.
  • POWER Optical Image Stabilization minimizes the appearance of camera shake for sharper handheld shooting and
    also supports the Dual I.S. function for increased stabilization performance.
  • Splash, dust, and freezeproof design benefits working in inclement weather conditions.
  • Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

  • MPN – DC-GH6LEICA
  • GTIN – 9302704039586
Type

Focal-plane shutter

REC

Exposure Comp. / Dynamic Range Boost / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control/ Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default

Time Lapse Shot

Yes

External TC setting

TC Synchronization / TC Output Reference

HDMI time code output

ON / OFF

Time code mode

Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

Count up

Rec Run / Free Run

TC IN/OUT

Yes with BNC Converter Cable (bundled)

Card Slot

Slot 1: CFexpress Card (CFexpress Type B) Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

Audio

Build-in microphone Stereo Wind Noise Canceller: OFF / Standard / High External microphone / External audio device input φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE Wind Cut: OFF / Low / Standard / High *When attaching DMW-MS2 (sold separately). Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately). XLR microphone Yes with DMW-XLR1 (sold separately) 4ch mic input Yes with DMW-XLR1 (sold separately) Speaker Monaural Headphone output φ3.5mm

Remote input

φ2.5mm

HDMI

HDMI HDMI TypeA Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.) Monitor-through 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF Playback 59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p** 50.00Hz: 8K/25p* / C4K/100p** / C4K/50p / C4K/25p / 4K/100p** / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p** 24.00Hz: 8K/24p* / C4K/120p** / C4K/24p / 4K/120p** / 4K/24p / 1080/120p / 1080p *Only for still image playback. **Only for playback.

USB

USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))

PLAY

Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

Red REC frame indicator

ON / OFF

Extra Tele Conversion

2.0x (EX S), 1.4x (EX M) *Only for still image recording.

Knee control

Yes (in Like709 mode)

Color bars / 1kHz test tone

Yes (SMPTE / EBU / ARIB) / Yes

SS/Gain operation

Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

Synchro scan

Yes

Anamorphic desqueeze display

2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

HLG view assist

Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

LUT view assist

Supported file types: .vlt, .cube Monitor / HDMI

Wave form monitor / Vectorscope

Selectable

Luminance level

8-bit: 0-255 / 16-235 / 16-25510-bit: 0‒1023 / 64‒940 / 64‒1023

Master pedestal level

31 steps

Filter

Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

Picture adjustment

Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB*Adjustable settings vary depending on the Photo Style mode.

Stop Motion Animation

Yes

Vertical Position Information

Sill image / Motion picture (ON/OFF)

Flash sync socket

Yes

Focal Length

12 to 60mm (35mm Equivalent Focal Length: 24 to 120mm)

Filter Size

62 mm (Front)

Image Stabilization

Yes

Focus Type

Autofocus

Diaphragm Blades

9, Rounded

Optical Design

14 Elements in 12 Groups

Maximum Magnification

0.3x

Minimum Focus Distance

7.87" / 20 cm

Angle of View

84° to 20°

Format Compatibility

Micro Four Thirds

Lens Mount

Micro Four Thirds

Minimum Aperture

f/22

Maximum Aperture

f/2.8 to 4

Operating humidity

10%RH to 80%RH

Level Gauge

Yes

Operating temperature

-10oC to 40oC (14oF to 104oF)

Weight

11.29 oz / 0.32 kg

Dimensions (W x H x D)

Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions)

Actual recordable time (Motion picture)

When using CFexpress Card MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060 When using SD memory card MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

Continuous recordable time (Motion picture)

When using CFexpress Card MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060 When using SD memory card MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060

Battery life (CIPA standard)

When using CFexpress Card Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Lexar CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. When using SD memory card Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Panasonic SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.

Battery

Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery

Bluetooth

Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

Wi-Fi

2.4GHz (STA/AP) (IEEE802.11b/g/n)5GHz (STA) (IEEE 802.11a/n/ac)Security: WPA/WPA2/WPA3

Dust and Splash Resistant

Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Lamp

Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

Fan

Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode

Print

PictBridge compatible

Photo Style

Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Photo Style 1-10

Wireless control

Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

Camera effective pixels / Total pixels

25.21 megapixels / 26.52 megapixels

ProRes (*1) (*2)

59.94Hz [5.7K] 5728×3024 (17:9) 29.97p, 1.9Gbps (ProRes 422 HQ) / 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)23.98p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) 50.00Hz [5.7K] 5728×3024 (17:9) 25.00p, 1.6Gbps (ProRes 422 HQ) / 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM) 24.00Hz [5.7K] 5728×3024 (17:9) 24.00p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)

AF custom setting

AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

AF detective range

EV -4 – 18 (F2.0, ISO100 equivalent, AFS)

AF mode

Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set.

Focus mode

AFS (Single) / AFC (Continuous) / MF

DFD technology

Yes

Field of view

Approx. 100%

Monitor size

Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

Eye sensor

Yes

Eye point / Diopter adjustment

Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +3.0 (dpt)

Field of view / Magnification

Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

Pixels

Approx. 1.84 million dots

MOV (*1) *HLG is selectable.

59.94Hz [5.7K] 5728×3024 (17:9) 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096×2160 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840×2160 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920×1080 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. 50.00Hz [5.7K] 5728×3024 (17:9) 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096×2160 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840×2160 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920×1080 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. 24.00Hz [5.7K] 5728×3024 (17:9) 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *When Image Area of Video is set to FULL. [C4K] 4096×2160 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [4K] 3840×2160 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. [FHD] 1920×1080 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON. *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

MP4 (*1)

59.94Hz [4K] 3840×2160 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) *HLG is selectable. [FHD] 1920×1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 50.00Hz [4K] 3840×2160 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)* 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) *HLG is selectable. [FHD] 1920×1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

AF lock

Set the Fn button in custom menu to AF lock

MOV (*1) (*2) *HLG is selectable.

59.94Hz [5.8K] 5760×4320 (4:3) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728×3024 (17:9) 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352×3264 (4:3) 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096×2160 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840×2160 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920×1080 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** 239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/** 119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL. 50.00Hz [5.8K] 5760×4320 (4:3) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728×3024 (17:9) 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352×3264 (4:3) 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096×2160 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840×2160 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920×1080 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/** 200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/** 100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL. 24.00Hz [5.8K] 5760×4320 (4:3) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [5.7K] 5728×3024 (17:9) 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [4.4K] 4352×3264 (4:3) 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) [C4K] 4096×2160 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [4K] 3840×2160 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF. [FHD] 1920×1080 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) *When Dynamic Range Boost is set to OFF.

Image area of video

Full / Pixel by Pixel

System frequency

59.94Hz / 50.00Hz / 24.00Hz

Audio format

MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**) MP4: AAC (2ch 48kHz/16-bit) *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).

Color space

sRGB, AdobeRGB

Image quality

RAW / RAW+Fine / RAW+Standard / Fine / Standard

File size (Pixels)

4:3 5776×4336(L) / 4096×3072(M) / 2944×2208(S) / 11552×8672(XL)* / 8192×6144(LL)* *High Resolution Mode. 3:2 5776×3848(L) / 4096×2728(M) / 2944×1960(S) / 11552×7696(XL)* / 8192×5464(LL)* *High Resolution Mode. 16:9 5776×3248(L) / 4096×2304(M) / 2944×1656(S) / 11552×6496(XL)* / 8192×4608(LL)* *High Resolution Mode. 1:1 4336×4336(L) / 3072×3072(M) / 2208×2208(S) / 8672×8672(XL)* / 6144×6144(LL)* *High Resolution Mode.

Aspect ratio

4:3 / 3:2 / 16:9 / 1:1

Recording file format

MOV: H.264/MPEG-4 AVC, H.265/HEVC, ProRes MP4: H.264/MPEG-4 AVC, H.265/HEVC

Latitude

Dynamic Range Boost ON: 13+ stops (V-Log) Dynamic Range Boost OFF: 12+ stops (V-Log)

Dust reduction system

Image sensor shift type

Aspect ratio / Color filter

4:3 / Primary color filter

AR (Anti Reflection) coating

Yes

AF assist light

Yes

Focus ring control

Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.

Synchronization speed

Less than 1/250 second

Self timer

10sec, 3 images / 2sec / 10sec / Custom Time

Flash output adjustment

1/3EV step ±3EV

Flash synchronization

1st Curtain Sync, 2nd Curtain Sync.

Flash mode

Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eyeReduction / Forced Off *For iA only.

Flash type

TTL External Flash (sold separately)

Number of recordable images

H/M/L* RAW+JPEG: More than 40 images RAW: More than 65 images**, More than 50 images*** JPEG: More than 95 images**, More than 90 images*** *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. **When using a card with CFexpress Type B ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)". SH RAW / RAW+JPEG / JPEG: 200 images

Burst Speed

Mechanical shutter / Electronic front curtain shutter H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View) Electronic shutter SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/MF) SH20: 20 frames/sec (AFS/MF) H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View) L: 2 frames/sec (AFS/MF/AFC) (with Live View)

White balance bracket

3 images in blue/amber axis or in magenta/green axis, color temperature setting

Focus bracket

1 to 999 images, focus steps can be set in 10 levels

Aperture bracket

3, 5 or all positions

AE bracket

3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

Silent mode / Shutter type

Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

Remote control

Remote control by DMW-RS2 (sold separately)

Shutter speed

Still image: Bulb (Max. 30 minutes), 1/8,000 – 60Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 – 60Motion picture: 1/25,000 – 1/25Creative Video M mode / MF mode: 1/25,000 – 1/8

Others

AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

Color temperature setting

2500-10000K in 100K

White balance adjustment

Blue/Amber bias, Magenta/Green bias

White balance

AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4

Dual I.S. 2

7.5-stop****Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used.

B.I.S.

5-axis / 7.5-stop**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.

AE lock

Set the Fn button in custom menu to AE lock

ISO sensitivity (Standard output sensitivity)

Still image [Normal] Auto / 50 (Extended ISO) / 100-25600 [V-Log] Auto / 125 (Extended ISO) / 250-12800 *Switchable between 1/3 or 1 EV step. Motion picture [Normal] Dynamic Range Boost OFF (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 800): Auto / 800-12800 [V-Log] Dynamic Range Boost OFF (Base ISO 250): Auto / 125 (Extended ISO) / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 [Hybrid Log Gamma] Dynamic Range Boost OFF (Base ISO 250): Auto / 250-12800 Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800 *Switchable between 1/3 or 1 EV step.

Dynamic Range Boost

ON / OFF

Exposure compensation

1/3 EV step ±5EV (±3EV for motion picture)

Mode dial

Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto*The same exposure operations as P/A/S/M mode is available.

Metering range

EV0-18 (F2.0 lens, ISO100 equivalent)

Light metering mode

Multiple / Center Weighted / Spot / Highlight Weighted

Light metering system

1,728-zone multi-pattern sensing system

Dimensions (ø x L)

2.69 x 3.39" / 68.4 x 86 mm

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